Friday, December 30, 2005

Last Consecutive Post / News, Un-News, and The World Of Dreams

I promise, I swear, I pledge that I will not post again until somebody else posts. However, this is a post that is time-sensitive and important, so here goes.

Regarding Kelsea : Carl broke up with his long-term girlfriend yesterday morning. He spent the whole day with his male friends (me, Gary and Reynold), and the "get-over-it" chorus took part in the male tradition of taking pot-shots at the ex. Carl sat by the wayside, occasionally muttering something about "feeling sorry for hurting her".

Then, this morning, un-news was delivered. The two of them are back together, because she told him everything he had been wanting to hear for the last six months; in essence, she proved that she had been listening all this time, and that she payed, at least, marginal attention to his desires. After hearing the news, I promptly went back to sleep.

Then the world of dreams swept over me. All night, I had strange dreams, a mixture of socializing and sexuality. Carl was the first person to interrupt my dreams, Reynold the second, and Bridget the third. The dreams I had between Reynold and Bridget, though, have given me my second wind.

I'll lay it all out here: Suite 3100 is a place which, at its best, does not believe in any form of censorship (or, often, tact). However, throughout the history of Suite 3100, a fair amount of punches have been held regarding Kelsea. Her stranglehold on conversations about her has been so intimidating, that I have all but given up writing about her and her happenings. In the end, it was only because whenever I spoke of her, Carl would get in trouble. Even though I only wrote one post that had anything to do with her, I always wanted to write something, directly addressing her, calling her out on all of her shortcomings.

I don't need that anymore. A single day of pot-shots is enough. My soul is cleansed. Back to that dream I had this morning: I was at some sort of water park with half of everybody I know. Carl was there, Kelsea, Bridget, Reynold, Maggie, and a ton of glancing acquaintances from Wash U. Everybody was having a good time, etc etc. I found a red rubber playground ball, and I turned to face Carl and Kelsea. I threw it at her, expecting her to catch it, and it hit her. I ducked below the water to hide from the wrath, the fire-breathing, the nuclear blast... but it never came. I looked up from my watery grave to see Kelsea, looking down at me. She (this is weird dream stuff here) was wearing a full-body space suit, that was somehow also a swimsuit. It looked quite fetching on her.

Anyway, she reached a hand below the water, took my hand, and helped me up. She asked me if I was okay. And then Bridget called me and I woke up.

I don't think in the straightest lines, sometimes, but I'll tell you what I've taken from this dream. She deserves a second change, from me, and from anybody else who might knock her. I realize, if there was anyone she might convince, it was Carl, so it's not exactly telling that Carl has accepted her back. But, in my dreams, I saw a Kelsea that I had never seen before. All I really need is to know that, somewhere in the universe, there exists an iteration of Kelsea that I find palatable. Somehow, in my mind, I have come to believe that she may, somehow, become someone who can be satisfied, who can satisfy Carl, and who can live in harmony with his pantheon of friends and family.

You have my faith and support, Kelsea. I think you can do it.

-Alan

Wednesday, December 28, 2005

Blog Domination Achieved

I have been, for the last week, the sole contributor to this blog. I realize that this isn't terribly different from the normal dynamic, whic seems like a full-fledged Alan blog, punctuated with semi-frequent raves from Chaz, the occasional thoughful contemplations of Vlad, and the comic stylings of Carl. Alfonzo has dropped off the face of the planet, as far as the blog is concerned.

I'll try to talk Carl into posting something; I see him every day, so it shouldn't be too hard.

In other news, I shaved again


I'm somewhat unsatisfied with the results. I think my beard was hiding the weight I gained in November and December. I'll need to lose a little next semester, if I want to stop avoiding mirrors.

-Alan

And Another

It may seem, to you, like I'm doing an incredibly small amount of work in an inappropriately large amount of time. The process of taking my AppleWorks written mixologies and splitting them up into Blogform takes two steps : 1. I have to create the blog pages for the mix and for each song. 2. I have to copy the information for each song into the corresponding blog page. The complications arise in step two; not only do I have to supply addresses for all the embedded links, but Blogger doesn't like some of the punctuation characters from Appleworks, so I have to replace every quotation, apostrophe, parenthesis, colon, semicolon, question mark and exclamation point.

It's tedious.

But I've got another one for you.

-Alan

Tuesday, December 27, 2005

New Mixology

I continue my mission of converting my beloved "mixologies" into Blogger-form. I've completed the second one, which was slightly more complicated than the first due to the grouping of tracks by the mix that they came from, rather than by the individual songs. It's quite likely I made a few mistakes, like uncorrected punctuation of even leacing whole pages out. Give me a shout if I've done anything terribly wrong.

History Part 2

-Alan

Sunday, December 25, 2005

Christmas Morn

Short one, folks, 'cause it's Christmas morning.

I realize, more and more, that the reason I don't get along with my family is because they are all extroverts and I am a severe introvert. I know that not every family outing needs to be a battle-frenzied tour of my psyche turned inside-out from the passenger seat of a minivan, but that's just what I do when I'm in a small space with people who overwhelm me. It's not even that there's much content to be overwhelmed by; it's just that the input comes at such a high volume and frequency.... I can't stand it, and I know it's just my own personal preferences and nothing personal. I just can't understand people who talk so much. I know my mother and father have extricated their thoughts from their actions--I've seen evidence of thought and rumination in both of them--but I really think that my sister's thoughts are translated immediately into either action or speech. A pre-cro-magnon mind. In all the time I've known her, she's given me no reason to think that she actually thinks up there in that brain of hers. Sure, everyone thinks, but she doesn't know what real thinking is, the kind you have no choice in, the kind where your mind picks you up and walks you somewhere, willing or not. Or even contemplation, the voluntary appreciation of something. Our trip to New York City, we couldn't get her to shut up about visiting Liberty Isle; figures the largest object on her to-do list takes precedence. We get there, after a half hour of travel, tickets and queues, she looks at it for about five minutes, gets a picture of herself in front of it, and it ready to go. Meanwhile, I'm slumped on a bench, just kinda' staring up at it, taking it in, thinking about what it means, where it came from, what it used to mean, all the people who've seen it before me. She interacts with the world in a completely self-centered way; of course, on a different day, I'd argue that all thoughts and behavior are ultimately self-centered, but they don't have to be directly so. Though I am, at times, quite self-absorbed, I try to wind at least one loop around the people I love; it's about me, because anything I do has to be about me, but I fly a duster overhead so other people might get something out of it. Her loop has one stop and one stop only, like the trainset of an Angelman's child; she pushes that caboose around and around a circle 6 inches in diameter, and she'll do this for hours, until someone (usually me) performs some inscrutible offense upon her happiness, whereupon the caboose is thrown.

Yes, I know I am a brat. But she's not an interesting person.

Saturday, December 24, 2005

Three Days Of Numb

Though I had planned to wake up early on Thursday morning and drive down to Atlanta (in the bumbling, oil-burning Belinda), the changing shape of space-time convinced me that other courses of action were necessary. I packed Belinda and left St Louis as soon as I was done with my Psych exam (no intermediates. Belinda was parked outside the exam, pointing East). True to St Louis, it took me 40 minutes to get out of the city (two unexplained, horrific, road-obstructing accidents within two blocks of each other, and typical 4 PM I-64 traffic. I made it home by 1:45 am, whereupon Carl and I (and Carl's sister) went to the original Chic-fil-a Dwarf House. Carl attempted to make a photoessay of the journey, but I'm pretty sure he took three pictures and forgot to continue.

So it's been three days already, and I've lost track of time. Remembering that today is Saturday is about all I can manage. At some point, I'm expected to get my car inspected, as well as get a Crimmuh Eve movie at Blockbuster. Really all I want is to just sit here for a while. Oh well.

Every suite has to sign itself out before the last resident leaves. I figured that Alfonzo wasn't coming back to the suite, so I signed us out when I left to take my exam. We'll figure out what's going on with him next semester. I'm assuming we won't see each other over the break, considering my only reason for going out to the 'Ettas (Marietta and Alpharetta) is in Hanoi right now.

-Alan

Monday, December 19, 2005

On Soothsinger

This time last year, I was fighting my way through General Chemistry and Calculus II. In the non-academic sphere, I was struggling with a complicated allegory for my emotional state. What began with 17 Days, specifically the use of "Rocketman", continued to expand and grow more complicated as time went on. What eventually became Soothsinger, sometime in May 2005, was what I had been working towards since early December 2004.

NOTE : The link above will take you to a list of links. I have begun the process of converting a set of writings (which I call "Mixologies") I did last year to blog format. When I am done, they will be extensively cross-clickable. Almost everything that appears underlined will be a link by the time I'm done. END NOTE.

Though I sometimes make a mix for a season, or a set of seasons, Soothsinger was not intended to be such a mix. However, I find that the climate of finals and the climate of St. Louis lends itself to the sort of music on Soothsinger. I find myself thinking of myself as the proverbial "Rocketman," just as I did last year; I find myself thinking the same of dear Vladimir, who left this morning.

Our gathering last night was heavy-hearted--there was some sort of confrontation at Westfield with Alfonzo, who chose not to return to the suite with Vlad--but warm. We drank together, not to get drunk, but so that our edges might blur a little. It is a glorious feeling when you become one with your friends, when you can combine your goals and ambitions and even your emotions, if only for a few hours. We played poker, we watched TV, Vlad quizzed me on Russian while Chaz wrestled with a beanbag chair. We were united, as we will remain on into next semester. We are Suite 3100, and we love it.

-Alan

Thursday, December 15, 2005

Short Story For Fiction Writing Class

My phone rang and I glanced at the number on the screen. Seven-twenty wasn’t an area code I knew, but I picked up.
“Hello?”
“Hi.” She said it with a mixture of tension and relief in her voice, which had a touch of the South in it. I paused, trying to guess who was on the other end of the line.
“How are you feeling?” she asked. I told her I was tired, which is true often enough to be my automatic response.
“How are you?” I asked. She sighed.
“Just… wanting to hear from you.” Here, I stopped trying to discern her identity. I did not know this woman.
I paused again, deciding how I should treat the situation.
“Is it not a good time?” she asked in a tone which suggested that she often called at times that were not good. Her speech was familiar, though her voice was unfamiliar.
“I’m pretty busy,” I answered. Again, not lying--by a fluke, I had slept until four in the afternoon with a full day of homework ahead of me.
She sighed again. “Well, why don’t you give me a call back when you’re a little less busy?”
“Okay. I will,” I lied. I could tell it was what she wanted to hear.
“Bye,” she said, her voice both hesitant and hesitating; she seemed reluctant to let the conversation end, while half-expecting and half-hoping it wouldn’t.
“Bye,” I said, and hung up, already rooting around my desk for a pen and paper.


Upon writing the conversation down, I realized that I had made a promise which I had no way of keeping. Worse, I had made a promise as a person I wasn’t. Somewhere out there was a man who, unbeknownst to him, was expected to call the woman I had spoken to.
I cycled through the repercussions in my mind. Best-case scenario, he calls, of his own accord, and my brief trespass into their relationship disappears. If less lucky, he doesn’t call; she calls him again without mentioning the broken promise. Worst-case scenario, she holds my words against him. She gets fed up with his neglect and decides she is done being his doormat. Their relationship ends.
I mourned for him, the man who I was for a scarcely a minute. It’s hard enough keeping women happy without someone else making promises in your stead.
Alternate worst-case. She calls him and chews him out. She quotes me at him, and they slowly piece together what must have happened. She looks upon me, the familiar voice that belonged to a stranger, as she would look upon a molester; she curses the intimacy with which she spoke to me, curses herself for being so familiar. They wonder, together, why I would pretend to be someone else.
And I, too, wondered. When she first spoke, I could not tell whether I knew her or not; to avoid embarrassment, I feigned recognition. But at that critical moment—“Just wanting to hear from you”—the moment when I knew she and I were strangers, why did I press on?
I turn to my written recollection of the conversation. That moment of recognition held so much for me, but it was not the realization that gripped me. I was gripped, rather, by the sound of resounding need in her voice.
Whoever I became for that minute, she needed him; to hear his voice, to listen to him speak. As she said to me, “Wanting to hear from you,” I became a part of her need. Though she was a stranger, I wanted to help satisfy her. I wondered, did any part of me need her?
I remember, now, the way I altered my voice. Afraid of being found out, I dampened my speech, talking as through a cloth. I aimed for vocal ambiguity, speaking in as generic an accent as I could manage. Still, it was important that I end the conversation in as few words as possible. Who wouldn’t have been fooled?
By the time she asked me to call her back, I had committed to my role. It was far too late to back out, to tell her I was just confused and easily led along. I said “Okay,” because anything else would require an explanation, and an explanation would require too many words.
Had she sounded more like a stranger, spoken less like a lover, I might have been willing to disappoint her. I wondered if my history of promiscuity weakened my ability to distinguished ordinary people from potential mates. I had pined for strangers before, but I’d never had the chance to move beyond mere pining. So often, women would walk by me and I would stifle the urge to say “You’re beautiful, in case you didn’t know.” My behavior on the phone seemed a bizarre reversal of all the scenarios I had hoped would unfold.
Ultimate worst-case scenario. I’m wrong about everything. The woman on the phone is someone I’m supposed to know, and I’ve made a promise I didn’t know I had to keep. I’d have ruled this one out, if not for an inscrutable amount of something recognizable in her voice; maybe this is what my aunt Carol sounded like when she was in her twenties—young, naïve, sorrowfully attached to a man who does not appreciate her. It was not that the woman on the phone sounded like someone I knew; rather, that she sounded like someone I should know.
My phone rang, and I answered without checking the screen.
“Hello?”
“Hey. What’re you up to?” Marina asked. The energy in her voice clashed with the rumination she had interrupted.
“Not much. Woke up at four, just trying to crank out a rough draft by Thursday.”
“Think you’ll have time to come over later?”
“Maybe. We’ll see how everything goes.”
The pause meant I had disappointed her.
“Say, Marina. Weird question. Did you call me about 30 minutes ago?”
Another pause.
“No…. why?”
“I’ll explain it next time I see you.” I could hear her nod, even over the phone.
“Well, work hard. Let me know if you find some time.”
“Will do, Jellycake,” I said, and hung up.
* * *
I spotted Maggie as I walked around the side of her building, a Marlboro planted firmly between her lips. The burning point of light only made her face look paler, though the November overcast played its part. I wiggled my fingers and she waggled hers; our casual hello.
As she drew the last puffs from her cigarette, I fingered the new pack of Pall Malls in my coat pocket; the man who sold them to me pronounced it “Pal Mal,” as in “Bad Friend,” and I thought it apt. Were I a smoker, as Maggie is, I would have popped one in my mouth as I approached, or I might have had one lit before I rounded the corner. Being, as I was, in the budding stages of cigarette consumption, I still felt some amount of shame at having bought them. They burned a hole in my pocket, though unlit.
She tossed the butt to the curb and opened her door to me before I could summon the pack from my jacket.
“Do you want some tea or something?” she asked as I unraveled my scarf.
“Sure.”
As she boiled water, I drew the reason for my visit from my backpack. Pointing to the titles on the cover, I said “We’re supposed to read The Behavior Of The Hawkweeds and A Good Scent From A Strange Mountain for tomorrow.”
She nodded and poured hot water into a styrofoam cup. “I’ll copy these and give the book back in class.” I nodded, in turn.
“So, how’s your boy? I haven’t seen him around campus lately.” I asked. Maggie tugged lightly the string of the teabag, absorbed in its drink-making dance.
“He’s doing okay. He’s just reaching that point where all the freshman professors stop being gentle.”
“Oh, to be a freshman again.” I crossed my arms and tilted my head back in reminiscence.
She placed my cup of tea on the table. “Why do you think I keep the boy around? I’m like a vampire, feeding off his youthful vitality and innocence.”
“Oh, so is that why you bite him?”
Her pallid cheeks flushed, and she quickly turned to walk into the living room. The room was relatively bare, only because Maggie’s apart-mate with the decorative flare had decided to move out.
“I finally got rid of the bitch,” she said, turning a circle with her arms outstretched before flopping onto the couch.
The walls and floor, stripped of Disney paraphernalia and other kitsch, were empty save for a Jim Morrison poster on the rear wall. I suspected that the room remained uncluttered as a tribute to its newfound right to be so.
I sat next to her on the couch and put my tea on the coffee table.
“So, a strange thing happened to me yesterday. It seems like the sort of thing you like hearing about.”
“Lay it on me.” I paused, momentarily distracted by her clothing.
“Have I ever seen you wear jeans before?” I asked.
“I don’t think so.”
“They look good. Cheery, even, in the sort of way you’d never fake.”
She smiled. I don’t know if she knows it, but I try to never say the same thing twice to her. Maybe part of her knows it.
I showed her my rough transcript of the conversation and she laughed. “Did you call her back?”
I had. After digesting all the angles of the situation—a process that took exactly 43 minutes and 1/3 of a pencil—I decided to call the unknown number and explain my mistake.
“You are returning a call to a prepaid calling system and the party that called you cannot be reached at this number.”
I laid my head in Maggie’s lap. “Oh,” she said, her voice a mixture of surprise and enchantment.
“So there’s nothing I can do.”
She nodded in agreement. She did not ask why I had made the promise, which made me wonder if it was as strange as I thought it was. To be fair, I reminded myself, Maggie is the person I talk to when I want to feel more normal.
“I know that I have no connection to this woman, and no knowledge of who she was calling--the guy I pretended to be—but I keep imagining things about them.” I feel her stomach against my left ear and I breathe in her smell, the smell of Chinatown, of opium—sweet, soft, dry, and mildly intoxicating.
“She’s slightly heavier that she wants to be, so she sacrifices her pride. Or maybe she’s ugly. Or maybe she just thinks she is. You get the idea. But she lets him get away with more than she should, because she feels lucky to have anyone.”
Maggie picked up the thread, “and he’s, inevitably, a piece of shit. You know, not very interesting, but cagey enough to look thoughtful. A murky ocean that’s only three feet deep.”
“Exactly. The way she spoke to me… it’s obvious that he doesn’t call her enough. She sounded so wistful, like just calling him took all the confidence she could muster.”
Maggie runs an idle hand through my hair, and I reach up and muss hers. Monday turns to Tuesday in a second’s time.
“You can’t love everyone, you know?”
I sit up. “Come again?”
“Just because somebody needs to be loved doesn’t mean you’re the man for the job. I know you like to be a sort of romantic messiah, but it can’t be done. Someone will always get hurt.”
“But I could help. I could listen to her and give her some advice, just be there for her. All she needs is someone to tell her she’s pretty, or that she’s worthwhile.”
“But what if you’re wrong about everything? What if, after all this speculation about her and her man, you were wrong? Nothing you thought about her was true. Do you think you could handle that? If she wasn’t who you thought she was?”
I couldn’t say.
“I know you aren’t done thinking about this, so just keep this thought in mind : you need her as much as she needs you—maybe more.”
I pulled my coat on, feeling my bad friends thump against my chest.
“Do you feel like another smoke?” I asked her.
She craned her neck to the side and her eyes consulted the ceiling. “Yeah, actually.”
We stepped outside and she readied two Marlboros.
“Sadly,” I said, “sadly, sadly, I’ve got my own.” I drew the pack from my pocket. She held out a lighter for me.
“Don’t become a smoker. Please?”
“I know, I know. The problem is that I think they help me write.”
She nodded; it was probably something she had told herself, once.
Maybe they helped me write or maybe they didn’t. I’d gotten in the habit a month earlier, when I had to churn out a rough draft of a story in eight hours; I continued smoking through the revision process. I felt, and still feel, that it lends a certain authenticity to my persona as a writer. Becoming the brooding, sullen-eyed-type who smokes in a black coat out on the Brookings Quad seemed to be the quickest way to become a real writer.
“Still, I don’t want to see you become a smoker. I’ve decided that when I go to grad school, I’m going to treat myself to quitting.” We chased the flames down to the filters. “Or maybe not.”
We laughed.
I pulled the pack out of my jacket and handed it to her. “You keep them, so I can’t smoke them alone, and I don’t have to bums yours off you.”
“You don’t have to, you know?”
“I know. I want to. It’s a habit I’ve hated from the beginning.”
She pocketed it.
We hugged; the soft, contortionist’s flesh at her midriff rubbed against the inside of my forearm. I kissed her lips.
“Love ya, Magpie.”
“I love you too, man.”

* * *

I sat with Marina. I was hunched over a blank sheet of paper, trying to block out my suitemate’s music—George Winston’s tribute to Vince Guaraldi.
“Why don’t you tell him to turn it down?” she asked.
“What kind of suitemate asks you to turn down your solo piano album? It would be tyrannical!”
It was not, so much, the volume of the music that disturbed me. If I hadn’t known the music well, I could have ignored it.
The page stared as blankly at me as it had ten minutes before. I stood up and turned a fan on to buffer the noise. When even that failed to help me work, the two of us climbed into bed.
“Are you doing anything on Friday?” I asked, kissing her forehead.
“Nope. Why?”
“Are you up for another monthiversary dinner out?”
She said “yes” and I kissed her lips.
I lifted my head away from hers and looked into her blank, expectant eyes. This feeling of constant expectation had been present from the start of our relationship, but I hadn’t begun to balk at it until recently. I rolled to the other side of the bed.
She propped herself up on one shoulder. “What?”
Even this inquiry made me grit my teeth and face the wall.
“The way you looked at me, just then, makes me feel like I’m supposed to do something. Like I’m performing for you.”
“What look? I wasn’t trying to say anything by looking at you.”
“It’s not a matter of what you meant to convey. It’s the same vibe I get from you all the time.”
She nodded, blinking her eyes with the slow tilt of her head.
“I don’t want you to expect me to do things for you. I want to do things that make you happy, not things that will keep you from being unhappy. You with me?”
She nodded in much the same way as before.
“When you need, truly need something—like for me to tell you ‘I love you’—I want to give it to you. But when that need becomes an expectation, then the meaning is lost. It’s the difference between picking up garbage out of conscientiousness or doing it because it’s your job.”
“You don’t want our relationship to become a set of obligations”
I turned me head sideways and glanced briefly toward the ceiling.
“In some, but not all cases. There is a necessary element of obligation in any relationship.”
She sighed. I pulled her close again, burying my face in her shoulder and biting the exposed skin of her collarbone. She lay silent. With my finger, I traced a figure eight on her brown skin.
“It’s not just about hearing you say ‘I love you.’ I want to know what you’re thinking. I feel like there’s a lot that you don’t tell me about, and so I try to figure it out by looking at you.”
“How can you wonder what I’m thinking? Isn’t it obvious? We’re here, in my bed on a Tuesday night. As long as I’m with you, you should know that I’m yours. What more do you need me to tell you?”
“I want to know the thoughts that make you do the things you do. I need more than just the gestures. I need to understand where the gestures come from.”
“See, we’re right back where we started. You’re tired of the gestures because you’ve come to expect them from me. It’s got to be like each nice thing I do is the first of its kind. Treat my actions and words as if they were coming from a stranger.”
She pushed me away. “I can’t do that. I could never think of you as a stranger.”
I reached for her hand.
“Maybe not to such an extreme, then, but you’ve got to try to expect less of what I do for you. I can only be novel for so long before I burn out.”
“I’ll try,” she said, and I kissed her nose.
“At any rate, I think it’s a good sign that we can have arguments like this.”
“What makes you say that?” she asked.
“Nothing in particular. I’d just hate for ours to be the kind of relationship where one of us suffers in silence.”

* * *

I imagined my stranger, pictured things about her that I could never know for sure.
I see her as 5’6”, just inches above average, with her brown hair cut conservatively at a medium length, falling just between the shoulders and the ears. She wears a blue tank top and jeans; something about this outfit suggests the South to me.
Her name is Janice.
She leans against a tree in my grandmother’s front yard. I don’t know why I put her there--it’s just where she ended up. She buries her hands in her pockets, up to the knuckles. On her face is the sort of bashful joy of a person who isn’t used to being admired.
She stands, as in a living photograph, biting back a smile. Her upper teeth hold her bottom lip in place. She wants to laugh, but nothing is funny. She is happy.
She does not know she is beautiful. She has learned the meaning of beauty from reading magazines, when she should look to Botticelli’s Venus for her inspiration. She is Rubenesque, though she has never heard the word.
And though she does not know she is beautiful, she knows that the person looking at her considers her to be. She can see it in his eyes.

Then, her man. He’s 5’8”, just inches below average, with a short crew-cut that stands, constantly, at attention. He wears a cornflower blue, short-sleeved shirt, tucked into a pair of gray slacks. On the shirt is sewn the logo for Crestwater Insurance. He stands perfectly still, because I do not will him to move; somehow, the motion I lend Janice is unbecoming of this man.
His name is Peter.
He stands behind his desk with an expression of insincere hospitality; this should not be held against him—he is an insurance salesman. Over his shoulder is his community college diploma, made inconspicuous by the surrounding swarm of Crestwater plaques and certificates. He poses as though for an “of the month” photograph. His expression is one of vaguely smug delight. He is glad to see his talents recognized, but still resentful of the times they were overlooked.
His phone rings, and I allow him to move. He answers.
“This is Peter, how may I help you?” A grin spreads across his face. He moves to close his office door.
“Hey, how are you”

“I’m alright. What are you up to tonight?”

“Good, good. Do you want to do something? Maybe get some dinner and then back to my place?”

“Perfect. Pick you up around 6:30?”

“See you then. Love you. Bye.”
After he has hung up, there comes a knock on his door. He opens it, and Janice enters. She hugs him. He sits down in his leather swivel without closing the door. Janice remains standing.
“Hey.”
“Hi, Janice. What’re you doing here?”
“Well, I had the day off, so I figured I’d drop in, see how you’re doing.”
He gestures at his mostly bare. She nods.
“So, do you want to go get dinner or something tonight?”
He draws in his breath and winces. “I can’t. I’ve got to work late tonight, and pretty much all week. You know, we’ve got a lot of new clients that we need to have sorted out by New Years.”
“Oh,” she said, looking at her feet. She notices her navel peeking out from under her shirt, so she crosses her arms to cover her midriff. “Well, will you have any time next week? I feel like I haven’t seen you in forever.” She thinks of the unreturned phone calls, but decides not to mention them.
He does not tilt his head to consult the ceiling. He does not have to think. “Sure” he lies. “Sometime next weekend.”
Janice leaves, dejected but hopeful. Another week of waiting, she thinks, won’t be so bad.
Once in the car, she pulls her seatbelt across her chest, but the belt snags. She tugs in vain until her face turns red and she begins to cry. Letting the belt roll back into its holster, she pulls it again and succeeds. She tells herself that seatbelts snag all the time, but she cannot help thinking of the obese airline passengers who require double-length seatbelts. She grips the steering wheel and grinds her teeth, trying to resist the already steady flow of tears. When she gets home, she decides, she will put on a less revealing top.

I watch this woman driving through a city I have created for her. Every light turns green as she approaches and there is no traffic to speak of. As she drives, the daydreams of leaning against a tree somewhere out in the country. A man she does not know is taking her picture, and she can feel his eyes on her, his lens taking her in. She feels that, somehow, his eyes and his lens are one and the same; that this stranger sees her as she truly is, as objectively as a camera might.
She stands, self-conscious and proud, with her hands buried in her pockets, up to the knuckles. She sees her own beauty reflected in his eyes, and she knows it must be real.
I give her this daydream and she smiles. Her hand loosens its grip on the steering wheel and her tears dry away. She lets go of the wheel entirely, tilts her head back and consults the ceiling. I paint the road beneath her tires and clear the path ahead of her. She is in my care, and I will keep her safe.
This is the only way I can meet my stranger. The number she called me from is useless, and I do not know who she is or where she lives. She may never know that she was speaking to a stranger and, if she did know, she would have to dial the right wrong number if she wanted to call me back.
But here, in her car, as she dreams of me and I write of her, we can be together.
And here, I can love her; both because she needs me to and because she doesn’t expect me to.
And here, she will know my love, and know that she deserves it.






Appendix : A Non-Diegetic Epilogue
“Hey, Maggie? What’re you up to?”
“Not much. I’m pretty cracked out. I stayed up all night writing a paper for women’s studies. It’s good, though.”
“You doing anything right now?”
“No. Just cleaning up the apartment.”
“For the purposes of my rewrite, I have to smell you. It was the detail about Chinatown and Opium. She asked me what Chinatown and Opium smell like, and I tried to remember, but all I can smell in my room are my dirty socks.”
“So you wanna come over and smell me?”
“Sure do. I’ll be over in a few minutes.”

A New Staggeringly Useful Web-Based Application

Carl, you have been officially designated as the programmer for a new Widget. We need something which gives us a list of cities in which, at any given time, it is 4:20.

Right now, it's 4:20 AM in Havana, Cuba. Ever wonder why Cuban cigars are illegal to export to the United States?

Me neither.

Also, it's 4:20 PM over in Hong Kong. Smoke one down for me, my asian brothers; my stash officially ran out on Monday. You can keep your opium, though. Save that for 4:23.

Back to 4:20 AM, we've got Halifax. I was only in Halifax for two days of my life, but Nova Scotia is a beautiful province. It's like Ireland, only it's in North America. So, Halifaxians, walk out back and pick the biggest leaf you can find and just smoke the hell out of it (nevermind the necessary preparations).

One more, and then I'm done. Let's see.... Beijing.... Shanghai.... Taipei.... KUALA LUMPUR! Smoke a fatty so you can forget that most of the Americans that have even heard of your pissant city only know it because it sounds funny. Oh the times Carl and I have sat around just saying "Kuala Lumpur" over and over. I'm sure you guys do the same thing with Indiana.

Alright. It's time for more work. I don't have to wake up at any given time, and I intend to take advantage of that by staying awake.

-Alan

Wednesday, December 14, 2005

Tougher Than It Is

Or : On Being An Upper Middle Class White Brat

It's really been hitting me these last few days; it's something I started realizing this Summer, and I'm finally coming to understand it completely.

My life is perfect. My life has always been perfect. My life looks as though it will remain perfect, unless I take special measures to make it less perfect. Some part of me has known this for years, but now that I'm finally stepping out the phase of my life where I feel angst for angst's sake, I can see it for what it truly is.

Don't get offended or put off, please; I'm not writing this to gloat. In all likelihood, your life is just as perfect as mine. I haven't done the proper demographic research, but most of the people who read my blog have, at some point in time, attended a private school. My understanding is that, typically, my readers are white, a fact which neither comforts nor perturbs me; people will read what they want to read, and they will read what they can identify with--if the manic-depressive ravings of a well-endowed (and moderately-endowed) college kid doesn't draw a line around the block, you won't find me surprised.

But why is it that I realize this now? Well, I've been living inside my head for a certain number of years (that certain number is beyond my determination, based on questions of when true consciousness begins, as well as the relative speeds of consciousness; I believe that I think at least three times as fast as I can express those thoughts) and, throughout those years, I've focused more and more on a sense of emptiness. We've called it emptiness, we've called it the void, and I suppose it's tangentially connected to that thing we've called restlessness; no matter what you call it, it's what keeps me depressed.

When I have a real problem, I'm fairly quick to diagnose it (never without help, and the list of those who help me is too long to list here) and start working on fixing it. However, the characteristic element of this emptiness is that I don't know what causes it. For years, the single-most disturbing feature of my depression is that I can find no reason behind it. I see, now, that the answer was right under my nose.

It's not that I've got no reason to be depressed. It's that I'm depressed by nothing. Nothing depresses me. Nothingness, specifically the nothingness that characterizes my life and my struggles, depresses me.

It depresses me to know that I could stop working for the rest of this semester, or even drop out of college, and I'd still be pretty much okay. I could keep living, eating, eventually get a shitty job somewhere. There's a lot of filial funding dangling above me and, simultaneously, below me as a safety net. As far as I can tell, I'm living the best possible life for myself right now, but I could fall apart a hundred and one times before it even became a real problem.

When I say a real problem, I don't mean "My parents get mad at me, stop thinking of me as responsible." I also don't mean "My parents get fed up with me, and decide to stop financing my laziness and existential angst."

The closest I will ever come to a real problem goes something like this : I've dropped out of college, destroyed my parents faith in me by being a worthless layabout, got kicked out of the house, had to move into some second-rate (not third-rate. The parents would never allow it) apartment, wasted all my money on booze and drugs and couldn't make rent. That sort of trouble would require tremendous effort on my part, and I've been raised well enough to avoid even the top steps of that spiral.

Even that which I just described doesn't even border on the sort of hardship that millions of people go through on a regular basis. That depresses me. It makes me feel like less of a human being. Symbolically speaking, getting braces was like having the silver spoon I was born with welded onto my teeth. My position in American society, and even my position in the world, is inescapable.

So what do I do about it? On the simplest, least effective level, I get depressed; both because my life is trite and simple, but also in an attempt to make it less so. On a less subconscious level, I do things to make my life a little tougher than it would be normally. I'll stay up far later than necessary, sometimes just so I can struggle through the next day as a diligent worker might. I work for hours, hammering boards and securing fiberglass roofing materials with my bare hands, then wake up early and drive 8 hours to St. Louis, just because it makes me feel like more of a veteran to have done it the hard way.

If I were ever captured (by who? Who knows? Maybe you) and they threatened to torture me unless I told them what they wanted to know, I'm pretty sure I'd pick the torture, for at least a few minutes. I do not know agony, and so I sometimes neglect to avoid it. I'm not a masochist; I don't cause myself harm or hardship without a separate end in mind.

This is not a closed issue for me. This seems like it will be the defining struggle of my adolescence, if not my entire life. I would love to hear what my readers (that's not a typo, Carl) think about this.

-Alan

Friday, December 09, 2005

On John Williams, Spielberg, and the fear

Not so much "the fear" as "the sickness", but not "the sickness" like in zombie movies. Allow me to explain.

There come times in a young man's life when he must abandon his state of sobriety; today, I experienced just that. My plans for sledding didn't really work out yesterday, so when I got out of class at 11, I immediately retrieved my sled and woke Chaz up (I'm not sure what his schedule is, but I'm pretty sure he was supposed to be in my 10 am psych lecture). We stepped outside, bundled and layered, and still found the idea of sliding face-first down Art Hill tooth-chatteringly idiotic. Thoughts of frostbite and spinal injuries haunted us.

So we smoked first.

On the drive back, I gave him iPod duty, and he picked John Williams (probably the only music he recognized). As I listened, I began to realize all sorts of things about Spielberg, the differences between H.G. Wells' "The Time Machine" and "Back To The Future", and the implied shift of metaphysical thinking.

Get this; "The Time Machine" took the question "what would you do with a time machine?" and answered "I'd explore the history of the world, of course. Spot of tea, eh?""

In contrast, "Back To The Future" took that same question and answered "I'd challenge the integrity of my existence by interfering with key events of my past."

To me, this difference illustrates the shift from mentally and spiritually secure outlook of the 19th century and early 20th century, to the spiritually insecure outlook of the late 20th and early 21st century. Wells' represents a time when there was less to do on a moment-to-moment basis, yet more to do on a long-term basis; modern technology and its inescapable lifestyle had not set into the lives of Wells' time, so when people got bored, they could remain confident in knowing that they are an instrument of God, or of themselves.

"Back To The Future" betrays the existence of God. A God-controlled universe could not experience the temporal insecurity that Marty experiences; by interfering with his parents' marriage, Marty undermines the probability of his existence, whereas the infallibility of God would preclude any sort of probability--God, after all, is an all or nothing sort of deal.

I feel for Marty. I really do, because I am a product of the same insecure society from which he came. Questions like "what would you do with a time machine?" operate like a kind of rorschach ink blot test. Whatever it is that most disturbs you, the unanswerable question that you stay up thinking about, expresses itself in the answer. The fear of "The Time Machine" has more to do with integrity and strength--questions of ability and aptitude. The fear confronted in "Back To The Future" is far less forgiving, because it questions the strength of things outside of ourselves--time, existence, skateboards.

Anyway, I've got to split. I just wanted to post on a Friday, for a change.

-Alan

Before The Fall

Imagine, if you will, a piece of fine art: two young lovers, newly warmed from the shower, sitting nude on a bed, playing rummy. She is eating a pear, and he struggles to make his fingers, still stiff from the cold, shuffle the deck. Call this piece "Before The Fall".

There is an ominous poetry to it, no?

-Alan

Tuesday, December 06, 2005

Oh, Charles

Oh, Charles, such joy you bring to my life. It is a shame I have neglected you this semester but rest assured, my friend; next semester will be different.

Chaz and I spent some bonding time together tonight. We each brought our own specialty to the table : I brought marijuana, and Chaz brought the frame of mind with which one permits themself to get intoxicated on a Tuesday. The result was glorious.

I, experienced in the ways of the mighty cheebah, was brought to my knees during one of Chaz's rants; you see, I had never before understood 4:20. While waiting at the White Castle drive-thru, I noticed that it was 7:20. I chucked and said "It's 4:20 somewhere".
Then Chaz said, "Hey, you know how stoners have 4:20? Like the time when you're supposed to smoke if you can? Well, I just realized that 5'o'clock is the drinker's 4:20!"

I shook so violently that I made the car rock. Oh Chaz, oh silly Chaz, you had it backwards! For decades, drinkers and lonelyhearts in bars across America have made 5'o'clock their time to drink. You know, it's been a long day at the mill, and you've been working since 9 in the morning; by 5 PM, you deserve a fucking beer.

But the stoners, once the sixties and seventies were over and they got their heads straight, thought about 5'o'clock. They saw themselves, night after night, staring into a cold glass and wishing it was flaming grass. Instead of going out, they'd go home and smoke a J and flop down for some Wheel of Fortune and Jeopardy.

But even that wasn't enough. What stoner could possibly toke up at 5 on-the-dot Do not all clocks tick slower towards that twelve, fighting gravity to the face's peak? Why not get high as the minute hand plunges into the basin of the next hour? Stoners are chill, so why not take the pressure off the minute hand and smoke at 5:20?

No! No, better still, make it 4:20! Why do we have to wait? "It's Five'o'clock somewhere?" Well it was 4:20 first, asshole!



Phew. Enough of that. On to a different revelation. I was reclining with Marina, discussing the politics of loyalty and friendship, when I thought of the concept for a play :

It would be a two-act, each played on a single set; one set would be the front side of a line of buildings and stores, and the other set would be the backside of the same buildings and stores. Each act would present the same period of time, though the front side would present a happy, cooperative and caring side of the goings on, and the back side would present a seedy, dishonest and scheming side of the plot. The events of each act would be anchored in time by certain events which occur on both sides simultanously (a loud noise or a bolt of lightning).

Then, once you have written this play, you can put the acts in whatever order you want. If you present the happy side first and the seedy side second, people will be disappointed by the revelation that seemingly good acts had deciet and nogoodnikry at their core. If you present the seedy side first and the happy side second, people will be pleasantly surprised to learn that the acts of treachery and evil all seemingly resulted in good things happening.

Just an idea, though.

Now it's time for bed.

-Alan

Sunday, December 04, 2005

Belinda

In an effort to combat boredom, I took Belinda out on her inaugural tour of St. Louis. I found myself in a very foreign part of St. Louis; incredibly run-down, poor, predominantly black. I was, at once, taken by the anxiety that grips most upper-middle-class white kids when in such areas, while feeling the urge to photograph the area. I felt, like many economically-sound lost souls feel, the desire to have an experience as authentic and hardening as living in a bad area. Though my windows were rolled up and I checked the door locks frequently, I thought to myself how great it would be if I could know what it was like to be disadvantaged. The grass is always greener, even when the lawn is poorly kept and strewn with cans and cigarette butts and hypodermic needles.

Oh sigh, the burdens of having no real problems in life.

I'm comforted by the knowledge that everyone must sleep, and so, in sleeping, I am more like the unfortunate souls whom I misguidedly envy than I will ever be in wakefulness.

-Alan